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I have a parallel blog in French at http://anniebannie.net

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Omar Souleyman – Warni Warni (Official Video)

 

Warni Warni (Come to Me) English translation lyrics:
Come to me come to me
Oh beautiful, you charmed me with your dark complexion
You can have me and my love easily
You can have me and my love easily
Oh beautiful, you charmed me with your dark complexion
You can have me and my love easily
Oh beautiful, you charmed me with your dark complexion
They told me that we’ll get married, I cannot live without you
They told me that we’ll get married, I cannot live without you
You’re for me like the water and the air that I breathe that I cannot survive without
They told me that we’ll get married, I cannot live without you
They told me that we’ll get married, I cannot live without you
You’re like the water and the air that I breathe that I cannot survive without
Come to me come to me
Oh beautiful, you charmed me with your dark complexion
You can have me and my love easily
Oh beautiful, you charmed me with your dark complexion
May God punish who tries to separate you and me
May God punish who tries to separate you and me
When are we going to be together for you to hold me in your arms?
Come to me come to me
Oh beautiful, you charmed me with your dark complexion
You can have me and my love easily
Oh beautiful, you charmed me with your dark complexion

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Wintergatan – Marble Machine (music instrument using 2000 marbles)

Dvorak – Bagatelles for String Trio and Harmonium, Op. 47

 

Part II

Malek Jandali

John Cage performing Water Walk

Bach – Ciaccona Giuseppe Anedda

Antonin Dvorak /// Bagatelles Op 47

Camille Saint-Saëns. Danse macabre

The composition is based upon a poem by Henri Cazalis, on an old French superstition: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed.

According to the ancient superstition, “Death” appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year.

The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the “Devil’s chord”) played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo violin. The rest of the orchestra, particularly the lower instruments of the string section, then joins in on the descending scale. The main theme and the scale is then heard throughout the various sections of the orchestra until it breaks to the solo violin and the harp playing the scale. The piece becomes more energetic and climaxes at this point; the full orchestra playing with strong dynamics.Towards the end of the piece, there is another violin solo, now modulating, which is then joined by the rest of the orchestra. The final section, a pianissimo, represents the dawn breaking and the skeletons returning to their graves.

The piece makes particular use of the xylophone in a particular theme to imitate the sounds of rattling bones. Saint-Saëns uses a similar motif in the Fossils part of his Carnival of the Animals.
[from Wikipedia]

John Coltrane Blue Train Full Album

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