With its portraits of Brody and Roya Hammad, “Homeland” warns that Muslims are a hidden danger to fellow Americans
I started watching “Homeland” because I was bored. All of my favorite shows were coming to a (season’s) end, and I needed something new to watch. I’m drawn to smart scripted dramas, but I was immediately suspicious of the show when I learned that its creators were also the ones behind “24,” the Fox drama that somehow became the chief piece of evidence for the effectiveness of torture and was a favorite of Dick Cheney and Rush Limbaugh.
But I kept an open mind and was riveted by the first episode, which laid out the intriguing mystery: Is Marine Sgt. Nicholas Brody the POW who’s been turned against his country by al-Qaida and its leader, the nefarious Abu Nazir? Soon CIA agent Carrie Mathison is seen spying on Brody and family in scenes reminiscent of the Stasi’s voyeurism in the Academy Award-winning film “The Lives of Others.”
But as we learn more about Brody’s back story, the plot becomes increasingly absurd and insidiously Islamophobic.
All the standard stereotypes about Islam and Muslims are reinforced, and it is demonstrated ad nauseam that anyone marked as “Muslim” by race or creed can never be trusted, all via the deceptively unsophisticated bureau-jargon of the government’s top spies. Here are four major, problematic areas (among many others. I couldn’t even get to the oversexed Saudi prince and his international harem):